Month: June 2025

Tams light up Chautauqua Festival

June 26, 2025 Zach Cooley No Comments

My wife and I have spent more than $100 a ticket to see legendary entertainers like Smokey Robinson. Those are unforgettable memories, no doubt. But we often find ourselves reminiscing about the time we saw The Tams perform live at the Wytheville Meeting Center in 2013 for only $5. That night still ranks among the best shows we’ve ever seen. Their sheer showmanship and musical energy far exceeded anything we could have imagined. Despite being wheelchair-bound, I danced with my wife that night. We met bandleader Albert “Little Red” Cottle and the rest of The Tams, and the warmth they shared was as unforgettable as their performance. I missed them when they came to the Chautauqua Festival in 2014 and had been waiting eleven long years to see them again. This year, I finally got the chance—this time, with my daughter by my side. Though not a fan of what she calls our “old music,” even she couldn’t deny The Tams’ unbelievable dance moves and undeniable musicianship. Robert Arnold, the group’s senior member, joined The Tams in 1991. Onstage with him were 15-year veteran Elton Richardson, Mikai Cottle (18-year-old son of Little Red), and Little Red himself. Together, they lit up the Elizabeth Brown Memorial Park during their hour-long set at the Chautauqua Festival on Wednesday, June 25th as the 8:30 headliner. It was almost hard to believe the performance was free. As Little Red told the crowd, “I joined the band when I was 6 years old. That was in 1976. I’m 56 now. My father told me, ‘Do what I say, and you’ll be all right. The show must go on.’” Clearly, he’s given his son the same advice. Mikai was a revelation—an electrifying dancer who brought back the spirit of classic Motown with mid-air spins, full-stage jumps, and footwork so crisp it would put the Temptations to shame. Watching from my wheelchair, I can tell you without a doubt: there are no better dancers in the world than these men. As they closed with the Isley Brothers’ “Twist and Shout,” Little Red reminded his son—and the audience—that he could still move just as well as the next generation. The Tams have become a musical dynasty: the legacy began with Charles Pope. After his passing in 2013, Little Red seamlessly took over. Now, young Mikai appears ready to inherit the crown when the time comes—and it’s clear he’ll wear it with style and soul. Little Red spent much of the set singing among the crowd, while many eyes followed his path through the audience. Those who kept their gaze on stage witnessed something remarkable: three performers, aged 18 to 71, in perfect sync, never missing a beat. Even when a toddler girl ran unattended through the last third of the show—trying to steal microphones and drumsticks, the band didn’t flinch. Professionals through and through, they never missed a note. In a crowd-pleasing moment, audience members young and old were invited to dance onstage. “I picked the right group tonight,” Little Red said with a grin. “These white boys know how to do it.” They opened with the O’Jays’ “Love Train” and followed it up with a Tina Turner-tinged rendition of The Trammps’ “Disco Inferno”—fitting, as my wife had performed a Tina Turner tribute earlier that same day. The crowd went wild. Then came the Tams’ signature classics: “Hurt,” “What Kind of Fool (Do You Think I Am),” “Laugh It Off,” and “Be Young, Be Foolish, Be Happy” — a personal favorite of the late President Jimmy Carter. They also delivered flawless covers of Jackie Wilson’s “(Your Love Keeps Lifting Me) Higher and Higher,” KC and the Sunshine Band’s “Shake Your Booty,” and Wilson Pickett’s “Don’t Let the Green Grass Fool You.” It was a setlist that had the entire park dancing from start to finish. Over the past 40 years, The Tams have become a beloved fixture of the Chautauqua Festival in Wytheville, and this year was no exception. “Tell your people we want to come back on a Friday or Saturday night when we can play longer,” Little Red told the audience. “We love playing in Wytheville, where we’re all family.” This year, Beach Music Night was moved to Wednesday just to accommodate The Tams’ schedule. And aside from my beautiful wife’s performance earlier that day, they were undoubtedly the highlight of the festival. “God is love,” Little Red reminded the audience during a moment of reflection. “We need more love in the world, y’all.” After the show, it was an honor for my family and me to meet the band again. As he prepared to leave for the night, he turned to me and said: “Let’s do this again. We’re going to make some history.”

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Emily Cooley honors rock queen at Chautauqua

June 26, 2025 Zach Cooley No Comments

There are very few days in my life as good as Friday, June 25th. At noon, I had the pleasure of proudly watching my wife pay tribute to the Queen of Rock and Roll in an hour-long program showcasing Tina Turner’s heaviest rock songs. She had performed this program last year at the Wytheville Moose Lodge, but being invited this year to the Chautauqua Festival marked a new career highlight. The upper shelter of Elizabeth Brown Memorial Park in Wytheville was flooded with a stadium-quality rock show. Unfortunately, only a few were there to witness it in person. Several who did attend inquired where Emily might be from. When we replied that she lived just down the street, spectators shook their heads. “You just don’t know what kind of talent you have right here at home,” one man said. “It’s just unbelievable.” No truer statement was ever spoken. The handful of people who were smart enough to show up provided Emily with a wonderful energy—an energy she gave back to the audience one hundredfold. “You wore me out,” said our lifelong friend Teny Underwood, the retired deputy sheriff who plays bluegrass music for various churches and nursing homes. “I don’t know how you’re still standing,” said another dear friend, Ann Harrison. “I would’ve been passed out!” Those are the kinds of compliments Emily has waited all her life to hear. She has always wanted to be recognized for the kind of energy her idol exuded. Knowing that Tina Turner made me feel that way when I saw her in concert 28 years ago, Emily knew that’s how she wanted her audiences to feel, too. It was a deeply rewarding experience—but none more so than for the listener. Hearing her enormously powerful voice echo through professional, first-class speakers was like hearing her in the stadium she dreams of filling. It was a full-fledged rock show. Donned in a gorgeous pink dress—reminiscent of a cross between Cass Elliott and Barbara Eden—and glittery silver shoes that looked like they came straight from the Wizard of Oz book, her moves were fluid, full, and rich. This was especially true during numbers that called for dramatic flair, like the Gypsy Acid Queen from Tommy, the rock opera by The Who. That role, of course, marked Tina Turner’s own breakout into rock—and helped her break through the barrier she had always dreamed of. This performance felt like no less a breakthrough for my wife, who is steadily stepping into those same shoes. Blessed with perfect pitch and an alto voice, Emily has always wanted to sing rock songs—songs full of positive energy and joy. She got to play another exciting role when she performed the theme from GoldenEye, the 1995 James Bond film starring Pierce Brosnan, which anchored Tina Turner’s Wildest Dreams album the following year. Emily performed a couple more tracks from that record, including “Do What You Do” and “Whatever You Want”—the latter of which she dedicated to me, solidifying for everyone in the audience that the beautiful girl on stage was mine and mine alone. I have never been prouder. Our little girl, 11-year-old Bella, was equally proud of her mama. “You were so beautiful,” she gushed when Emily came offstage. “You sounded perfect!” Bella is our biggest encourager in everything we set out to do, and we love her with all our hearts—for the wonderful young woman she’s becoming, and for the light and blessing she brings to the world. Though there were 16 songs in Emily’s repertoire, the hour flew by, and she had to cut the last three or four. She opened with Led Zeppelin’s “Whole Lotta Love,” famously covered on Tina Turner’s Acid Queen album in 1976, and bantered playfully with the audience. “If you see Robert,” she said, referring to Led Zeppelin’s lead singer, “tell him I send a whole lotta love.” She also gave a nod to Phil Collins who played drums on “Girls,” a David Bowie composition from Tina’s 1986 Break Every Rule album, as well as a favorite Beatle before performing “Get Back” in Tina’s raucous style. “Paul McCartney just turned 83,” she said. “And he’s still out there killing it every night.” These are the kinds of legends Emily dreams of performing alongside. But unlike most dreamers, she has the talent to make it real. Having her own band would be a dream come true—but until then, she continues to wow audiences, big or small, with an incomparable voice that seems to come from another realm. We had a couple of very special guests in the audience that day to whom we owe tremendous gratitude. Locally renowned photographer and videographer—and my dear friend—Cory Parker was on hand to capture the event with his magic lenses. Another of our dearest friends, Sarah Taylor (who also happens to be our unofficial public relations agent), was there to film and spread a collection of photos and videos across social media. Famed Wytheville photographer Madeline Lenore also attended to see her friend. “She sounds great and looks terrific,” she told me. “That is the perfect dress for her.” We are also eternally grateful to Karen Melton, chairman of the Wythe Arts Council, for inviting Emily to be a part of our cherished hometown festival. She’s already invited her back to perform next year—and Emily gladly accepted. I can hardly wait to see the rock and roll extravaganza my wife will present next time. May she receive the recognition and opportunities she deserves to share her tremendous gift with the world. As her husband and biggest fan, I can tell you: there’s no greater blessing to be offered.

Strictly Observing

Ringo rocks Greensboro

June 19, 2025 Zach Cooley No Comments

Bella said that Wednesday, June 18th was the best daddy-daughter date of our lives so far. I couldn’t agree more. That evening, I took her to see Ringo Starr and His All-Starr Band at the beautiful Steven Tanger Center for the Performing Arts in Greensboro, North Carolina. We were joined by a capacity crowd of 3,000 fans for a magical night with the legendary Beatles drummer and his equally iconic bandmates—each a star in their own right. Colin Hay, frontman of Men at Work, was still in fine voice at 71. He performed his trio of ’80s hits: “Down Under,” “Overkill,” and “Who Can It Be Now?” Before launching into “Down Under,” the pop anthem of Australia, he shared a funny anecdote: “I was performing in Australia and speaking in my normal Scottish accent,” he recalled. “The promoter told me I couldn’t speak like that onstage. So I learned to speak like an Australian.” Steve Lukather, Toto’s lead guitarist, lit up the stage with “Hold the Line,” “Rosanna,” and the ever-beloved “Africa.” He reminisced about meeting fellow All-Star Bandmate Hamish Stuart (of Average White Band) in a coffee shop in Scotland as a young fan. “Now, decades later,” Lukather said gratefully, “we’re brothers and bandmates in the Ringo Starr All-Star Band.” Stuart delivered three of my favorite Average White Band tracks: the funky jazz instrumentals “Pick Up the Pieces” and “Cut the Cake,” and their soulful cover of the Isley Brothers’ “Work to Do.” Though understandably weathered at age 75, his passion and musicality were evident. The entire evening proved a powerful truth: No one rocks like the legends. The sold-out crowd—surprisingly full of fans aged 30 and under—was riveted for the entire 110-minute set. For the 67-year-old Lukather, vocal backup and high notes were handled skillfully by bandmate Warren Ham, who also stunned at least two electrifying saxophone solos that, quite literally, cleared sinuses. A multi-instrumentalist from Fort Worth, Texas, Ham played everything from percussion to harmonica, proving himself a true virtuoso at 72. Drummer Gregg Bissonette delivered a jaw-dropping solo that incorporated iconic riffs from rock history—including The Beatles’ “The End,” The Rolling Stones’ “Brown Sugar,” and The Surfaris’ “Wipeout.” “That drum solo was insane,” said my usually unimpressed 11-year-old daughter. Buck Johnson was equally remarkable on keys. A seasoned veteran who’s played with The Eagles, Alice Cooper, and Aerosmith, the Birmingham, Alabama native held his own among this band of rock royalty. But of course, the center spotlight belonged to Sir Richard Starkey—Ringo Starr himself. He kicked things off at the front of the stage with his classic Carl Perkins cover “Honey Don’t”—a song my wife was sorry to miss—followed by his solo hit “It Don’t Come Easy.” Then he moved behind the drums to perform “Boys,” a cover of The Shirelles, before coming back up front to sing “I’m the Greatest.” “This song was written by my friend John,” Ringo said, which earned a thunderous cheer. “He got it all put together, then said, ‘I can’t do this. Ringo, you better do it.’” Bella cried during his rendition of “Yellow Submarine,” certain he had pointed at her during the song. “Octopus’s Garden” was another hit with the crowd, as was his #1 cover of Hoyt Axton’s “No No Song.” “I wasn’t sure I wanted to do this song again,” Ringo shared. “But I thought about it and realized—it’s the reason I’m still on this stage.” He dedicated The Beatles’ “I Wanna Be Your Man” to all the ladies in the audience, and later performed his solo classic “Photograph,” followed by his country-flavored cover of Johnny Russell’s “Act Naturally.” Speaking of country, Starr favorably performed the bluesy, title track from his latest album, Look Up, despite restarting after fumbling the encouraging lyrics. As always, he closed the show with a medley of Beatles classics—“With a Little Help from My Friends” and “Give Peace a Chance.” Bella teared up again. “This is probably the last time I’ll ever see Ringo,” she said quietly. The legendary drummer, who turns 85 next month, ended the night doing jumping jacks after nearly two hours onstage. While we know no musician can perform forever, Ringo Starr shows no signs of slowing down. You never know—we just might get the chance to see him again. Bella is one lucky kid. She’s seen Ringo Starr twice and Paul McCartney once. That’s a dream for music fans of any age—let alone an 11-year-old. There was at least one younger child in the audience. It’s amazing how Beatles music has transcended generations for over 60 years. There’s a reason they’re the most enduring band in history. I also want to express my gratitude to the kind, professional, and accommodating staff at the Tanger Center. This is a stunning venue—no matter where you sit, the view and acoustics are outstanding. From my wheelchair-accessible seat, I had a perfect, unobstructed view, even when the crowd was standing—something I can’t say about every venue I’ve visited. With no one seated directly behind me, I could raise my chair as high as I needed to, and I didn’t miss a single moment. It was a truly incredible night—and a treasured memory that my daughter and I will share for the rest of our lives.

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Rhea brings laughter to Wytheville

June 15, 2025 Zach Cooley No Comments

Saturday, June 14, was a wild night in Wytheville, Virginia, as stand-up comedian Caroline Rhea took the stage at the historic Millwald Theatre for an evening filled with raucous laughter—and a touch of culture shock. The Canadian-born star, best known for her role as Aunt Hilda on Sabrina the Teenage Witch, now lives in Los Angeles. She admitted she’s never been more frequently corrected on the pronunciation of a town’s name. “Wytheville” quickly became a running gag during her 77-minute set. Though her onstage persona couldn’t be further from the family-friendly character she’s famous for, a few determined teenagers managed to slip into the mostly 21+ crowd to see their favorite TV star. Rhea acknowledged the jarring contrast. “It’s a little like finding out your kindergarten teacher is a stripper,” she quipped. In addition to finally learning how to pronounce Wytheville, Rhea took delight in the surrounding towns’ unusual names—like Ivanhoe and Galax. The latter particularly tickled her. “Why that name hasn’t been used for an enema, I’ll never know,” she said with a grin. As always, Rhea’s humor blended self-deprecation with observational wit. “I’m very codependent, and I worry about the world,” she confessed. “When my friends laugh really hard, I pee in their pants.” Honestly, I wish she could have done that for me. The laughter took over my disabled, slightly incontinent body—a mess my wife had to help clean up when I got home, unfortunately. The presence of such a seasoned comedy and television veteran should have made for an instant sellout at the Millwald. That it didn’t was disappointing—both for our town and the comedian herself. “I’m not quite sure why the whole town didn’t show up tonight,” she said shortly after walking on stage. “I spent the day exploring, and from what I saw, it’s not like there are many other entertainment options around here.” A longtime lover of garage sales, Rhea found one local business particularly intriguing. “After the show, we’re all breaking into JoJo’s Attic so I can grab those antiques I saw and couldn’t buy,” she joked. “I’m running low on picture frames. I only have 2,000.” Her comedic style thrives on audience interaction. She playfully asked several attendees their zodiac signs. As fellow Aries, she and I apparently have a lot in common: namely, a tendency to start ten different stories and finish none. It made for an erratic, but highly entertaining, performance. Like me, she’s the parent of a single daughter—one she lives to please, but who often finds her embarrassing. “It’s really not our fault,” she explained. “It’s nothing personal against us. It’s just the way our children see us.” Her obsession with astrology was a recurring theme throughout the show. “I had an emergency C-section because I was at high risk of giving birth to a Scorpio,” she said. “I didn’t want to raise a daughter who was that good at sex and that unwilling to forgive.” The 61-year-old comedian also shared candid—and hilarious—tales from her dating life after 50. “I went on a blind date with a guy who had a lazy eye,” she told us. “We broke up soon after because he was seeing someone else on the side.” She paused, then added, “That joke would be even funnier if it weren’t a true story.” She also recalled a moment involving her health-conscious diet and an innocent-looking spoonful of peanut butter she found on her sister’s kitchen table. Thinking it was a healthy 12 grams of protein, she helped herself. Moments later, her sister returned. “I know I left a spoonful of peanut butter here,” her sister said. “I put the dog’s medicine in it and everything.” “At that point, I became a full-fledged dog in five minutes,” Rhea recalled. “I was scooting my butt in circles across the rug and peeing on her bedroom floor for months.” “I feel sick,” she told her sister. “Well, at least you’re not going to get ringworm,” her sister replied. Rhea’s opening act was 30-year-old CJ Marer, a struggling actor and comedian currently living in the Los Angeles area. Originally from a small town in Rhode Island, Marer quickly established his underdog charm with the audience. He recounted his only audition for a Hallmark movie. “I auditioned for the male lead, which basically meant I had to stay shirtless and do all the handyman work throughout the film,” he explained. “When I took off my shirt, the directors winced.” He mimicked the casting conversation: “Did you expect him to really be that pale?” one director asked the other. “How can he be skinny and fat at the same time?” Marer joked that most of the roles he plays. “I usually show up at the beginning of the movie to ask who the guy is she’s talking to,” he said. “By the end, I’m either dumped or dead. That’s the extent of my acting career.” He described one particularly rough patch when his apartment was broken into—but nothing of his was stolen. Instead, the burglars left behind a note and a watch they’d apparently taken from somewhere else. The note read: ‘We realize times are hard for you right now. Take care of yourself. If you ever want to join us, we’re looking for other guys to help us with jobs.’ “My roommates were mad,” he said, “but I had a new watch and a job interview—two things I didn’t have before the robbery.” Marer was a particular hit with the female members of the audience, earning more than a few catcalls and whistles during his time on stage. All in all, it was a thoroughly entertaining night—and a relatively historic one in Wytheville’s entertainment history. For me personally, it was a true honor to meet both comedians and to interview Caroline Rhea for my podcast. She couldn’t have been more gracious and generous with her time. It was, without question, a career pinnacle. To listen to the full interview, follow this link: https://www.youtube.com/watch?v=rg5-9Yveqrw

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Parker makes theatrical debut with Wythe-Bland Foundation film

June 8, 2025 Zach Cooley No Comments

On the evening of Saturday, June 7th, my family and I had the honor of attending the 20th anniversary celebration of the Wythe-Bland Foundation at the historic Millwald Theatre. A capacity crowd gathered to celebrate this remarkable local organization, which has tirelessly dedicated itself to advancing the education, health, and wellness of our community. Executive Director Travis Jackson explained that the Foundation was born out of a leasing agreement between Wythe County Community Hospital and LifePoint Health. This strategic move has allowed our local hospital to offer specialized services and diagnostic imaging that previously required travel to cities like Roanoke or Bristol. Thanks to the Foundation, organizations such as the Brock Hughes Medical Clinic and the Bland County Medical Clinic can provide high-quality care and critical medical testing to patients in need—care that would otherwise be inaccessible. The Wythe-Bland Foundation’s impact extends far beyond healthcare. It has played a vital role in supporting our children’s education and well-being. Thousands of local children receive free dental cleanings and exams, and through the Dolly Parton Imagination Library, they’re given the gift of books. The Foundation also makes possible field trips that enrich learning experiences and spark curiosity—opportunities many students would otherwise never have. In total, the Wythe-Bland Foundation has provided over $48 million in funding for a variety of transformative initiatives throughout our region. And on a personal note, I can attest to the profound difference this organization has made in my life. They’ve awarded scholarships that allowed my family and me to experience the health benefits of the Wytheville Community Center. They funded my wife’s participation in the “Fit for Life” program back in 2013 and have provided meals for us through the Open Door Café. My daughter is one of over 1,500 students who have received Hope Packs from Spiller Elementary School, giving her additional weekend nutrition at no cost. For an inter-abled family living on a fixed income, these are not small blessings—they are life-changing. While my gratitude to the Wythe-Bland Foundation runs deep, the main reason I attended the event was to witness the premiere of a powerful 35-minute documentary chronicling the Foundation’s past and vision for the future. This exceptional film was crafted by one of my dearest friends, Cory Parker, owner and operator of MountainCAP Media. Cory’s film was nothing short of extraordinary. With a filmmaker’s eye and a native son’s heart, he captured the breathtaking beauty of Wythe and Bland Counties in ways that even the most elite studios might struggle to match. His aerial drone shots of the Wytheville Water Tower and Big Walker Lookout were simply awe-inspiring. The message was clear and compelling: Southwest Virginia is not just a place to live—it’s a place to love and call home. Through poignant visuals and heartfelt storytelling, Cory illuminated the selfless work being done right here in our backyard. His work stirred emotion, evoking tears of gratitude for the people, places, and institutions that make this region special. Cory Parker is not only a genius behind the lens but also a truly exceptional person with a heart as big as his talent. The tribute he created to honor the Wythe-Bland Foundation, and this community is one that should elevate his name in the eyes of all who view it. As one of Wythe County’s finest residents, I couldn’t be prouder to call Cory a close friend. His generosity and skill are unmatched. In fact, he previously lent his talent to create a full-length concert video of my wife’s Tina Turner tribute show—a project that helped earn her a spot in the Chautauqua Festival lineup. So when Cory personally invited me to the debut of his latest cinematic achievement, I knew I had to be there. As we sat side-by-side in the Millwald Theatre, I noticed tears welling in Cory’s eyes as he watched his labor of love unfold on the big screen. It moved me deeply. I know the dedication he pours into his craft, and I know that his vision, artistry, and passion are truly one-of-a-kind. Wythe County may not yet fully realize the treasure they have in Cory Parker, but I hope this film will help change that. I certainly left the theater feeling immense pride, not only in my friend, but in this community we call home. It’s also humbling to reflect on the fact that the Wythe-Bland Foundation was formed the same year I began writing this column for our local newspaper. In the two decades since, we’ve all tried, in our own ways, to make a meaningful impact on the place we love. Considering everything our area—and the world—has experienced in those years, it’s astounding to see how far we’ve come. We remain a united community, filled with people who choose to be dream-makers rather than dream-crushers. That was the central theme echoed by the event’s keynote speaker, Jim Morris—the former professional baseball player whose inspiring story was immortalized in the 2002 Disney film The Rookie, starring Dennis Quaid. Speaking after the film’s conclusion, Morris praised the Wythe-Bland Foundation with heartfelt admiration. “This is a real community of dream-makers,” he said, borrowing from the title of his memoir. “This is a community that really cares about its people. I didn’t grow up in a place like this.” I did. And for that, I am forever grateful. To be a disabled person who’s been given a chance to have a meaningful career, to give back to the community I cherish most, is an immeasurable gift. Watching Cory Parker’s beautiful film, I was reminded once again why this is—and always will be—home.

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Jerry and Judy Yonce celebrate 50 years of marriage

June 4, 2025 Zach Cooley No Comments

I was honored to be one of 150 guests at the 50th anniversary celebration of my dear lifelong friends, Jerry and Judy Yonce. The event took place at the beautiful Rocky Hollow Farm venue on Rose Hill Road, just outside of Wytheville. A touching slideshow of memories, set to a constant rotation of 1970s soul music, played throughout the event. The celebration featured extraordinary catering from Sisters Restaurant in Marion, complete with exquisite desserts—I personally sampled at least four different kinds of cheesecake that afternoon! Also on display at the Sunday event, held on June 1st, was a deeply moving scrapbook featuring clippings from Jerry and Judy’s engagement and wedding announcements in 1975, alongside a display of their original wedding glassware and china. The most touching part of the evening came when the traditional wedding hymn was performed. Jerry drew a big laugh from the crowd when he jokingly launched into a medley of “The Old Gray Mare” and “Nobody Knows the Trouble I’ve Seen.” Judy then spoke warmly—and with some humor—about their rocky courtship, which began when she was just 13 years old. Their relationship was on-again, off-again until they finally married nine years later. “I figured if I got him to the church,” she said with a smile, “then we were going to make it.” Her tone then shifted to something more reflective. “There were three things I asked of Jerry before I agreed to marry him,” she said. “First, if he was looking for a girl just like the one who married dear old Dad, he needed to keep looking—I was not nearly as strong as his mother.” She recalled a vivid image of her late mother-in-law, a petite woman, single-handedly operating a garden tiller with no assistance. Judy continued, “I also told him I wanted to be first in his life after God. And if he ever stopped loving me, I wanted him to be honest and tell me. And if he ever cheated on me and I found out, I promised I would make his life a living hell.” Jerry clearly had no trouble living up to those conditions. Fifty years later, they looked as radiant, jubilant, and in love as the photos from their wedding day. Jerry is known throughout Wythe County as one of the finest cooks the region has ever seen. As the longtime head caterer at the Log House 1776 Restaurant, he is responsible for expanding not just my palate, but my waistline over the past 40 years. I often say that, when it comes to cooks, there is Jerry—and then there’s everyone else. He is a tremendously humble, kind, and generous man. As for his bride, Judy has been my friend for practically my entire life. She was my physical therapist from the time I was two years old. Beyond helping me with lifelong challenges related to cerebral palsy, she has been a constant confidant and counselor through both my darkest hours and brightest days. She has cried with me in joy and sorrow, laughed with me, and hugged me through it all. Her love and support have never wavered. As the minister of Trinity and Mount Olivet United Methodist Churches in Pulaski, Judy extends the same care and compassion to her many parishioners, friends, and family members. A devoted mother to Latricia and Davina, she is most proud of her only grandchild, Josiah. I was thrilled to finally meet him. I’ve heard stories about him since the day he was born, and it was an honor to shake the hand of such a gracious and intelligent young man—a credit, without doubt, to the loving but firm guidance of his grandparents. “Since the day we got married, Jerry has wanted to sing to me,” Judy shared. “I’ve never let him—until today. So I wanted to share this special moment with you all.” Reflecting on their less-than-steady early days, Jerry addressed the crowd with his signature humor and humility: “Judy remembers all of this so well,” he said. “But I don’t remember any of it!” Few people have given more to this community than Jerry and Judy Yonce, and even fewer couples have meant as much to me personally. I am so grateful to their equally warm and spirited daughter, Latricia, for inviting me to be part of this very special celebration. I am eternally thankful for the friendship of these two wonderful people and wish them many, many more years of happiness and love.

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