Zach Cooley

Tag: Vicki Lawrence and Mama: A Two-Woman Show

Vicki Lawrence show, meeting provide lifetime family thrill

Vicki Lawrence show, meeting provide lifetime family thrill

Saturday, May 9, was one of those rare, life-defining blessings that carries you through the difficult days that inevitably follow. Meeting Vicki Lawrence — the Emmy-winning star of The Carol Burnett Show and Mama’s Family — before her live comedy performance at the Newton Performing Arts Center is something my family and I will treasure for the rest of our lives. I have adored Vicki Lawrence for as long as I can remember. I owe a tremendous debt of gratitude to her publicist, Sandy Brokaw, and to her son, Garrett Schultz, who directs her touring shows for making us Vicki’s personal guests. Because the performance was sold out, she provided seats for us along the side of the auditorium. Thrilled to be in the building, all of us being able to hug her and tell her what her meant work meant nearly brought me to tears. She graciously signed my copy of her autobiography along with my treasured 1973 album of The Night the Lights Went Out in Georgia. Before the show began, I could hear Vicki warming up backstage by singing that famous song and rehearsing one of the evening’s funniest stories, recounting a backstage exchange between herself and Carol Burnett just before they performed their very first “Family” sketch together. The two women were in the ladies’ room when Carol suddenly called out in her now-famous Southern drawl, “Mama!” “What is it, Eunice?” Vicki shouted back in character. “Well, I was wonderin’ if you had any toilet paper over there.” “Well, I’m busy right now, but when I get done doing what I’m doing, I’ll get you your toilet paper!” “Fine,” they scream back and forth at each other several times. A woman in high heels hurried nervously into the restroom, only to immediately retreat in horror as the shouting continued. Unbeknownst to Vicki, Tim Conway had apparently been standing behind Carol as Vicki finished recounting the story. Conway dryly responded, “I bet that was Harvey.” The evening itself was beautifully structured. Vicki divides the performance into two approximately 40-minute segments, one as herself and one as her legendary alter ego, Thelma “Mama” Harper. The show opens with classic video clips featuring some of her greatest moments on The Carol Burnett Show along with bloopers from Mama’s Family to introduce Mama. As herself, Vicki told the remarkable story of how she first met Carol Burnett. While attending high school in Inglewood, California, she entered the local “Miss Fireball” contest sponsored by the fire department to crown the town’s most beautiful redhead. A newspaper article covering the event described her as the “spitting image” of Carol Burnett. Vicki’s mother suggested she mail the clipping to Carol along with a fan letter. Burnett was so impressed that she attended the pageant in person. As fate would have it, Carol was preparing a new variety series and searching for someone to play her younger sister. The rest, as they say, is television history. Another wonderful surprise during Vicki’s portion of the show was hearing her sing “Bless My Happy Home,” the heartfelt lyrics she personally wrote for the theme song to Mama’s Family that the network refused to use. Discussing modern wellness trends, she joked, “I read an article not too long ago that said Tyra Banks uses a coffee enema. I tried it, and I don’t think they’re ever going to allow me in Starbucks again.” Thelma Harper shuffled onto the stage full of glorious irritation, utterly disgusted with modern society. One target was the Kardashian family. “Even I can’t get my butt that big,” Mama grumbled. “That thing was so big and round Neil Armstrong tried to walk on it.” She also tackled contemporary culture topics like Kaytlin Jenner. “Why would anybody want to become a woman just in time for menopause?” she asked in bewilderment before pivoting to marriage equality. “If two men want to be as miserable as I was with my husband, let ‘em go right ahead. The only problem is if you’ve got two men in the same car on a road trip, now you’ve got two idiots driving around for three hours without asking for directions.” At another point, Mama explained her confusion after accidentally ordering an adult movie in a hotel room. “That wasn’t cable he was laying,” she declared. “And just so you know, the Spice Channel has nothing to do with oregano.” Her observations about technology were equally hilarious. “I haven’t bought any kind of pads since menopause,” she said when discussing iPads. “And I got no reason to start now.” The audience roared throughout the entire set. After Mama exited the stage, the legendary blooper in which Tim Conway’s famous elephant story was obliterated by Vicki’s one-liner as Mama that laid Conway flat. To close the evening, Vicki returned to the stage as herself and delivered a moving rendition of “For All We Know.” Family photographs and images of her famous friends appeared on the screen behind her, including touching pictures of her beloved husband, Al, who passed away two years ago after 50 years of marriage. It was a surprisingly emotional ending to an extraordinarily funny evening. If I could describe Vicki Lawrence in one word, it would be “lovely.” I was entirely unprepared for how radiant she would look in person. At 77, she remains absolutely stunning. More importantly, she could not have been kinder to my family. I will always be grateful for her warmth and for allowing me the privilege of calling her my friend.

Strictly Observing

Vicki Lawrence interview sparks new career apex

Vicki Lawrence interview sparks new career apex

On Saturday, May 9, an Emmy-winning television legend will perform her famous Vicki Lawrence and Mama: A Two-Woman Show at the Newton Performing Arts Center in Newton, North Carolina. Both the matinee at 3:00 p.m. and the 7:00 p.m. evening performances are nearly sold out. The Newton stop has become an annual destination for the Mama’s Family and Carol Burnett Show star. “The Carolinas are truly beautiful,” Lawrence said during a May 1 telephone interview. “They really are a world of their own.” And Mama fits into that world as everyone’s favorite grandmother. So, how does a native Californian develop the epitome of a Southern senior? “I had a Southern mother-in-law for a minute when I was very young,” she noted. “Plus, I used to travel the country doing summer stock. I thought those Texans were kidding me with those accents.” Vicki Lawrence and Mama: A Two-Woman Show was created in 2001 after the unprecedented ratings of a Carol Burnett Show reunion special went through the roof. The live production is directed by her son, Garrett Schultz. He and sister Courtney are Lawrence’s two children from her 50-year marriage to CBS makeup artist Al Schultz, who passed away in 2024. Lawrence’s show, which has toured the nation for the last quarter-century, features a pair of 45- to 60-minute acts. First, the 77-year-old lifelong Californian delivers the story of her amazing life and career in a stand-up comedy-style format, where she tells the infamous story of connecting with Carol Burnett via a fan letter and look-alike photo. “These are great old show-business stories,” offered the comedy legend. “The further away I get from these stories, the more I realize they would never happen again.” Fans will also get to hear her sing her 1972 No. 1 hit, “The Night the Lights Went Out in Georgia,” as well as the original lyrics to the Mama’s Family theme song. Lawrence actually wrote the lyrics to “Bless My Happy Home,” but only an instrumental theme was used on the show, with The Carol Burnett Show orchestra leader Peter Matz receiving sole credit. Lawrence’s uncanny resemblance to Carol Burnett landed her a role on the iconic variety show as Burnett’s younger sister in the “Carol and Sis” sketches. “The Family” sketches would eventually give her the alter ego of Thelma “Mama” Harper, the character she has played for more than a half-century. Originally, the part of Mama was written for Burnett. However, it was the character of Eunice that the now-93-year-old star wanted to play. She asked producers to give Lawrence the role that would define her career. Lawrence won an Emmy for her work on The Carol Burnett Show in 1976, was nominated for an Emmy for playing Mama in the TV movie Eunice, and starred in Mama’s Family from 1983 to 1985 on NBC, then in syndication from 1986 to 1990. “I used to think Mama was around 69 or 70, but the older I get, the more I think she is much older than that,” she said with a laugh. “I love bawdy women like Lucille Ball and Betty White, probably because I am one of them. Mama certainly is, too.” The second half of the show is all Mama. It is evident that both she and Vicki are ageless in their own way. “The older I get, the more I agree with her,” Lawrence said with a laugh. “I think that if you live to a certain age, you’ve earned the right to say what you think, and that’s what Mama does.” Lawrence knew she couldn’t do a live show without Mama, who is adored the world over. However, that presented the comedienne with the challenge of bringing the beloved character into the 21st century and all its modern-day problems. As a result, Mama’s half of the show is ever-changing. “She has to deal with all this stuff that’s going on now,” she explained. “It’s fun to keep her on top of these things she’s having trouble dealing with.” Mama’s half of the show will also include a rap, answers to pre-written questions from the audience and, of course, plenty of side-splitting laughter. Tickets are selling fast, but to grab one of the remaining seats, please visit https://ncauditorium.com/vickilawrence. Interviewing Emmy winner Vicki Lawrence represented a new career pinnacle for me. I have adored her since I was 3 years old. I still remember seeing her burst onto the set of Win, Lose or Draw with that glorious red hair and unmistakable energy. From there, I watched her faithfully on the daily parade of syndicated game shows, from the various incarnations of Pyramid to the Password franchise, always rooting for her team to win. One of my favorite things was watching her banter back and forth with her good friend Dick Clark. “I loved those games, and I did a lot of them,” Lawrence told me during our May 2 phone interview. “He was a very good friend, and I learned to dance from watching his American Bandstand show.” It was on American Bandstand that Lawrence, in 1972, received her one and only gold record for her No. 1 single, “The Night the Lights Went Out in Georgia.” Though there is an infamous clip of Carol Burnett presenting her with the award, Lawrence quickly clarified that it was Clark who first handed her the honor. “I remember they wouldn’t let me sing the song on the show until it became a hit,” she recalled. “It would have helped the record to go ahead and sing it.” Her daytime talk show, Vicki!, which debuted years before Rosie O’Donnell and Ellen DeGeneres found enormous success with a similar happy, celebrity-oriented style. In my opinion, Lawrence pioneered that format, yet history often forgets her role in it. It was difficult for me to imagine that she could experience that oversight without bitterness. “I did go through a period of that,” she admitted candidly. “It was a very depressing period of my life, but I…

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