Bland natives bring eclectic sounds to holiday show
Best friends and musicians extraordinaire Albert Newberry and Casey Lewis performed an eclectic holiday concert at St. John’s Episcopal Church in Wytheville on Saturday afternoon, December 20, blending jazz, country, bluegrass, gospel, and classical traditions into more than an hour of genre-defying Christmas music. The concert opened with one of my favorite Christmas carols, “Sleigh Ride,” delivered instrumentally in an unprecedented fusion of Newberry’s jazz piano brilliance and Lewis’s country-inflected guitar work. The result immediately set the tone for an afternoon that felt both reverent and joyfully adventurous. “This is a very special church for me,” Newberry told the audience in his introduction. “We filmed a series of videos with PBS Appalachia here.” One of those films went on to win a regional Emmy Award. Lewis was also featured in a separate PBS Appalachia series filmed at the Willowbrook Jackson Homestead Museum. “Silent Night” followed, with Lewis’s warm country vocals leading the way. A jazz-inspired instrumental of “My Favorite Things” proved to be an afternoon highlight before the duo leaned fully into bluegrass with the hymn “Beautiful Star of Bethlehem,” once again featuring Lewis on vocals. “Joy to the World” came next in a truly one-of-a-kind arrangement. “I was in a band when I lived in Indiana called The American Pirates,” Newberry explained. “The leader of the band, Aaron Jones, composed his own original arrangement to the song.” The duo then performed that version for the Wytheville audience, showcasing Lewis’s vocals once more. A particularly inventive rendition of “Carol of the Bells” followed, with the first verse performed at a standard tempo, the second at double speed, and the third slowed dramatically. The shifting tempos created a riveting interpretation of an already complex holiday piece. “This was originally a Ukrainian song,” Newberry noted. “Then it became very popular worldwide.” The 26-year-old Newberry—whose career bridges the worlds of international Russian culture and Appalachian roots—has come a long way from Bland County. A graduate of Indiana University and the Mannes School of Music in New York City, where he is now based and works as a teacher, accompanist, and gigging musician, he remains deeply loyal to his hometown. On December 20 alone, Newberry and Lewis performed two shows in Wytheville and spent much of their holiday break appearing at venues across Southwest Virginia, including the Millwald Theatre’s Ghost Light Bourbon Bar, the Draper Mercantile, and several local churches. Newberry’s natural musical ability was further showcased when he invited his father, Randy Newberry, to join him on stage. Randy demonstrated remarkable skill on the harmonica during instrumental performances of Ray Charles’s “Georgia on My Mind” and the jazz standard “Moondance.” Father and son, joined by Lewis, then delivered a deeply moving blues rendition of “Have Yourself a Merry Little Christmas.” Next, well-known Bland County musician Buddy Taylor took the stage to sing lead vocals on Elvis Presley’s holiday standard “Blue Christmas,” followed by the hymn “Without Him.” The stage returned once more to Newberry and Lewis for a hauntingly beautiful version of “What Child Is This,” seamlessly blending classical, jazz, and country influences. Lewis followed with spirited vocals on “Go Tell It on the Mountain” before performing his original gospel composition, “I’m Coming Home”. That number was preceded by the Russian standard “Dark Eyes,” which Newberry performed in honor of his Russian heritage. “I’m half Russian,” he told the audience, “and this is a song you could hear playing in any bar in Russia. It’s also become very popular here in the United States.” Throughout the afternoon, I couldn’t help but notice how Newberry’s vigorous piano playing recalls the spirit of Vince Guaraldi. It felt especially fitting, then, that he closed the set with the classic “Linus and Lucy,” first featured in A Charlie Brown Christmas. It was the perfect ending to an extraordinary performance. There is no doubt that Casey Lewis possesses formidable talent, effortlessly translating his country and bluegrass roots into jazz and blues territory. A 28-year-old husband and father of two with another child on the way, the native Bland Countian works as a machinist at Pascor Atlantic Corporation. Prior to the pandemic, he completed a national tour with acclaimed bluegrass act Cane Mill Road. Yet it was Newberry who left me truly awestruck. The way he snarls his nose as he bears down on the piano—attacking the keys with the ferocity of Jerry Lee Lewis and the refinement of Elgar—makes it clear there is no genre beyond his reach. To witness such world-class musicianship from a Southwest Virginia native now commanding stages in New York and beyond is nothing short of remarkable. His success is well deserved, and we are fortunate that he remains loyal to his hometown, returning often to share his gifts. I know I am better for having finally experienced one of his performances.